Combining Philosophers

All the ideas for Herodotus, Roger Fry and Alan Sidelle

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34 ideas

1. Philosophy / E. Nature of Metaphysics / 6. Metaphysics as Conceptual
Metaphysics is clarifying how we speak and think (and possibly improving it) [Sidelle]
2. Reason / E. Argument / 7. Thought Experiments
We seem to base necessities on thought experiments and imagination [Sidelle]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / d. Dispositions as occurrent
There doesn't seem to be anything in the actual world that can determine modal facts [Sidelle]
9. Objects / D. Essence of Objects / 2. Types of Essence
Causal reference presupposes essentialism if it refers to modally extended entities [Sidelle]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / c. Essentials are necessary
Clearly, essential predications express necessary properties [Sidelle]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Being a deepest explanatory feature is an actual, not a modal property [Sidelle]
9. Objects / D. Essence of Objects / 15. Against Essentialism
That the essence of water is its microstructure is a convention, not a discovery [Sidelle]
9. Objects / F. Identity among Objects / 3. Relative Identity
We aren't clear about 'same stuff as this', so a principle of individuation is needed to identify it [Sidelle]
10. Modality / A. Necessity / 4. De re / De dicto modality
Evaluation of de dicto modalities does not depend on the identity of its objects [Sidelle]
10. Modality / C. Sources of Modality / 3. Necessity by Convention
Necessary a posteriori is conventional for necessity and nonmodal for a posteriority [Sidelle, by Sider]
To know empirical necessities, we need empirical facts, plus conventions about which are necessary [Sidelle]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
The necessary a posteriori is statements either of identity or of essence [Sidelle]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
Empiricism explores necessities and concept-limits by imagining negations of truths [Sidelle]
Contradictoriness limits what is possible and what is imaginable [Sidelle]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
The individuals and kinds involved in modality are also a matter of convention [Sidelle]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
A thing doesn't need transworld identity prior to rigid reference - that could be a convention of the reference [Sidelle]
'Dthat' operates to make a singular term into a rigid term [Sidelle]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
A priori knowledge is entirely of analytic truths [Sidelle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / C. Content / 5. Twin Earth
That water is essentially H2O in some way concerns how we use 'water' [Sidelle]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
Causal reference seems to get directly at the object, thus leaving its nature open [Sidelle]
19. Language / B. Reference / 5. Speaker's Reference
Because some entities overlap, reference must have analytic individuation principles [Sidelle]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
Can anything in science reveal the necessity of what it discovers? [Sidelle]
29. Religion / D. Religious Issues / 2. Immortality / a. Immortality
The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus]