27 ideas
18901 | Truthmakers are facts 'of' a domain, not something 'in' the domain [Sommers] |
18904 | 'Predicable' terms come in charged pairs, with one the negation of the other [Sommers, by Engelbretsen] |
18895 | Logic which maps ordinary reasoning must be transparent, and free of variables [Sommers] |
18897 | Predicate logic has to spell out that its identity relation '=' is an equivalent relation [Sommers] |
18893 | Translating into quantificational idiom offers no clues as to how ordinary thinkers reason [Sommers] |
18903 | Sommers promotes the old idea that negation basically refers to terms [Sommers, by Engelbretsen] |
18894 | Predicates form a hierarchy, from the most general, down to names at the bottom [Sommers] |
18900 | Unfortunately for realists, modern logic cannot say that some fact exists [Sommers] |
13127 | Categories can't overlap; they are either disjoint, or inclusive [Sommers, by Westerhoff] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
18898 | In standard logic, names are the only way to refer [Sommers] |
20343 | A love of nature must precede a love of art [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |