Combining Philosophers

All the ideas for Hermarchus, Fred Sommers and Richard Wollheim

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27 ideas

3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Truthmakers are facts 'of' a domain, not something 'in' the domain [Sommers]
4. Formal Logic / A. Syllogistic Logic / 3. Term Logic
'Predicable' terms come in charged pairs, with one the negation of the other [Sommers, by Engelbretsen]
Logic which maps ordinary reasoning must be transparent, and free of variables [Sommers]
5. Theory of Logic / D. Assumptions for Logic / 4. Identity in Logic
Predicate logic has to spell out that its identity relation '=' is an equivalent relation [Sommers]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Translating into quantificational idiom offers no clues as to how ordinary thinkers reason [Sommers]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / c. not
Sommers promotes the old idea that negation basically refers to terms [Sommers, by Engelbretsen]
5. Theory of Logic / E. Structures of Logic / 7. Predicates in Logic
Predicates form a hierarchy, from the most general, down to names at the bottom [Sommers]
7. Existence / D. Theories of Reality / 2. Realism
Unfortunately for realists, modern logic cannot say that some fact exists [Sommers]
7. Existence / E. Categories / 1. Categories
Categories can't overlap; they are either disjoint, or inclusive [Sommers, by Westerhoff]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
19. Language / B. Reference / 1. Reference theories
In standard logic, names are the only way to refer [Sommers]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
25. Social Practice / F. Life Issues / 6. Animal Rights
Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley]