36 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| 12463 | Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs] |
| 14375 | If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs] |
| 14378 | Science aims at identifying the structure and nature of the powers that exist [Jacobs] |
| 12467 | Powers come from concrete particulars, not from the laws of nature [Jacobs] |
| 14377 | Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs] |
| 14376 | States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs] |
| 14379 | Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs] |
| 14372 | Possible worlds are just not suitable truthmakers for modality [Jacobs] |
| 12466 | All modality is in the properties and relations of the actual world [Jacobs] |
| 14371 | We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs] |
| 12465 | Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs] |
| 12464 | If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs] |
| 12469 | Possible worlds semantics gives little insight into modality [Jacobs] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| 22339 | Love is a central concept in morals [Murdoch] |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |