Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Jan Westerhoff and Gary Kemp

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19 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
We negate predicates but do not negate names [Westerhoff]
7. Existence / E. Categories / 1. Categories
Categories can be ordered by both containment and generality [Westerhoff]
How far down before we are too specialised to have a category? [Westerhoff]
Maybe objects in the same category have the same criteria of identity [Westerhoff]
Categories are base-sets which are used to construct states of affairs [Westerhoff]
Categories are held to explain why some substitutions give falsehood, and others meaninglessness [Westerhoff]
Categories systematize our intuitions about generality, substitutability, and identity [Westerhoff]
Categories as generalities don't give a criterion for a low-level cut-off point [Westerhoff]
7. Existence / E. Categories / 2. Categorisation
The aim is that everything should belong in some ontological category or other [Westerhoff]
7. Existence / E. Categories / 3. Proposed Categories
All systems have properties and relations, and most have individuals, abstracta, sets and events [Westerhoff]
7. Existence / E. Categories / 5. Category Anti-Realism
Ontological categories are like formal axioms, not unique and with necessary membership [Westerhoff]
Categories merely systematise, and are not intrinsic to objects [Westerhoff]
A thing's ontological category depends on what else exists, so it is contingent [Westerhoff]
9. Objects / D. Essence of Objects / 5. Essence as Kind
Essential kinds may be too specific to provide ontological categories [Westerhoff]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]