33 ideas
| 13134 | We negate predicates but do not negate names [Westerhoff] |
| 13124 | Categories can be ordered by both containment and generality [Westerhoff] |
| 13117 | How far down before we are too specialised to have a category? [Westerhoff] |
| 13116 | Maybe objects in the same category have the same criteria of identity [Westerhoff] |
| 13118 | Categories are base-sets which are used to construct states of affairs [Westerhoff] |
| 13125 | Categories are held to explain why some substitutions give falsehood, and others meaninglessness [Westerhoff] |
| 13126 | Categories systematize our intuitions about generality, substitutability, and identity [Westerhoff] |
| 13130 | Categories as generalities don't give a criterion for a low-level cut-off point [Westerhoff] |
| 13131 | The aim is that everything should belong in some ontological category or other [Westerhoff] |
| 13123 | All systems have properties and relations, and most have individuals, abstracta, sets and events [Westerhoff] |
| 13115 | Ontological categories are like formal axioms, not unique and with necessary membership [Westerhoff] |
| 13119 | Categories merely systematise, and are not intrinsic to objects [Westerhoff] |
| 13135 | A thing's ontological category depends on what else exists, so it is contingent [Westerhoff] |
| 13129 | Essential kinds may be too specific to provide ontological categories [Westerhoff] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |