Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Galileo Galilei and Richard Wollheim

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22 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
Heat and colour don't exist, so cannot mislead about the external world [Galileo, by Tuck]
Tastes, odours and colours only reside in consciousness, and would disappear with creatures [Galileo]
14. Science / D. Explanation / 2. Types of Explanation / i. Explanations by mechanism
Galileo introduced geometrico-mechanical explanation, based on Archimedes [Galileo, by Machamer/Darden/Craver]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
26. Natural Theory / A. Speculations on Nature / 4. Mathematical Nature
To understand the universe mathematics is essential [Galileo]
27. Natural Reality / A. Classical Physics / 1. Mechanics / b. Laws of motion
Galileo mathematised movement, and revealed its invariable component - acceleration [Galileo, by Meillassoux]