33 ideas
14064 | If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard] |
14066 | A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard] |
14067 | Clay and statue are two objects, which can be named and reasoned about [Gibbard] |
14069 | We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard] |
14076 | Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard] |
14077 | Essentialism for concreta is false, since they can come apart under two concepts [Gibbard] |
14070 | A particular statue has sortal persistence conditions, so its origin defines it [Gibbard] |
14073 | Claims on contingent identity seem to violate Leibniz's Law [Gibbard] |
14065 | Two identical things must share properties - including creation and destruction times [Gibbard] |
14074 | Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard] |
14072 | Possible worlds identity needs a sortal [Gibbard] |
14078 | Only concepts, not individuals, can be the same across possible worlds [Gibbard] |
14079 | Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard] |
20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
14071 | Naming a thing in the actual world also invokes some persistence criteria [Gibbard] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |