45 ideas
| 18005 | Philosophy aims to become more disciplined about categories [Ryle] |
| 18004 | We can't do philosophy without knowledge of types and categories [Ryle] |
| 13985 | A true proposition seems true of one fact, but a false proposition seems true of nothing at all. [Ryle] |
| 13984 | Two maps might correspond to one another, but they are only 'true' of the country they show [Ryle] |
| 13979 | Logic studies consequence, compatibility, contradiction, corroboration, necessitation, grounding.... [Ryle] |
| 10800 | The values of variables can't determine existence, because they are just expressions [Ryle, by Quine] |
| 6007 | If you know your father, but don't recognise your father veiled, you know and don't know the same person [Eubulides, by Dancy,R] |
| 6006 | If you say truly that you are lying, you are lying [Eubulides, by Dancy,R] |
| 6008 | Removing one grain doesn't destroy a heap, so a heap can't be destroyed [Eubulides, by Dancy,R] |
| 13988 | Many sentences do not state facts, but there are no facts which could not be stated [Ryle] |
| 14297 | A dispositional property is not a state, but a liability to be in some state, given a condition [Ryle] |
| 14300 | No physical scientist now believes in an occult force-exerting agency [Ryle] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 13983 | Representation assumes you know the ideas, and the reality, and the relation between the two [Ryle] |
| 2622 | Can one movement have a mental and physical cause? [Ryle] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 1353 | Reporting on myself has the same problems as reporting on you [Ryle] |
| 1354 | We cannot introspect states of anger or panic [Ryle] |
| 2624 | I cannot prepare myself for the next thought I am going to think [Ryle] |
| 2620 | Dualism is a category mistake [Ryle] |
| 2388 | Behaviour depends on desires as well as beliefs [Chalmers on Ryle] |
| 3354 | You can't explain mind as dispositions, if they aren't real [Benardete,JA on Ryle] |
| 2387 | How can behaviour be the cause of behaviour? [Chalmers on Ryle] |
| 13980 | If you like judgments and reject propositions, what are the relata of incoherence in a judgment? [Ryle] |
| 13978 | Husserl and Meinong wanted objective Meanings and Propositions, as subject-matter for Logic [Ryle] |
| 13977 | When I utter a sentence, listeners grasp both my meaning and my state of mind [Ryle] |
| 13976 | 'Propositions' name what is thought, because 'thoughts' and 'judgments' are too ambiguous [Ryle] |
| 13981 | Several people can believe one thing, or make the same mistake, or share one delusion [Ryle] |
| 13987 | We may think in French, but we don't know or believe in French [Ryle] |
| 13989 | There are no propositions; they are just sentences, used for thinking, which link to facts in a certain way [Ryle] |
| 13982 | If we accept true propositions, it is hard to reject false ones, and even nonsensical ones [Ryle] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |