Combining Philosophers

All the ideas for Eubulides, Peter Schulte and W Wimsatt/W Beardsley

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21 ideas

5. Theory of Logic / L. Paradox / 1. Paradox
If you know your father, but don't recognise your father veiled, you know and don't know the same person [Eubulides, by Dancy,R]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you say truly that you are lying, you are lying [Eubulides, by Dancy,R]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / b. The Heap paradox ('Sorites')
Removing one grain doesn't destroy a heap, so a heap can't be destroyed [Eubulides, by Dancy,R]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
Some explanations offer to explain a mystery by a greater mystery [Schulte]
18. Thought / C. Content / 1. Content
Phenomenal and representational character may have links, or even be united [Schulte]
Naturalistic accounts of content cannot rely on primitive mental or normative notions [Schulte]
Maybe we can explain mental content in terms of phenomenal properties [Schulte]
Naturalist accounts of representation must match the views of cognitive science [Schulte]
On the whole, referential content is seen as broad, and sense content as narrow [Schulte]
Naturalists must explain both representation, and what is represented [Schulte]
18. Thought / C. Content / 9. Conceptual Role Semantics
Conceptual role semantics says content is determined by cognitive role [Schulte]
18. Thought / C. Content / 10. Causal Semantics
Cause won't explain content, because one cause can produce several contents [Schulte]
18. Thought / C. Content / 11. Teleological Semantics
Teleosemantics explains content in terms of successful and unsuccessful functioning [Schulte]
Teleosemantic explanations say content is the causal result of naturally selected functions [Schulte]
18. Thought / C. Content / 12. Informational Semantics
Information theories say content is information, such as smoke making fire probable [Schulte]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]