22 ideas
12463 | Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs] |
6007 | If you know your father, but don't recognise your father veiled, you know and don't know the same person [Eubulides, by Dancy,R] |
6006 | If you say truly that you are lying, you are lying [Eubulides, by Dancy,R] |
6008 | Removing one grain doesn't destroy a heap, so a heap can't be destroyed [Eubulides, by Dancy,R] |
14375 | If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs] |
14378 | Science aims at identifying the structure and nature of the powers that exist [Jacobs] |
12467 | Powers come from concrete particulars, not from the laws of nature [Jacobs] |
14377 | Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs] |
14376 | States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs] |
14379 | Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs] |
14372 | Possible worlds are just not suitable truthmakers for modality [Jacobs] |
12466 | All modality is in the properties and relations of the actual world [Jacobs] |
14371 | We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs] |
12465 | Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs] |
12464 | If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs] |
12469 | Possible worlds semantics gives little insight into modality [Jacobs] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |