Combining Philosophers

All the ideas for Engelbretsen,G/Sayward,C, Gary Kemp and A.R. Lacey

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15 ideas

4. Formal Logic / A. Syllogistic Logic / 1. Aristotelian Logic
The four 'perfect syllogisms' are called Barbara, Celarent, Darii and Ferio [Engelbretsen/Sayward]
Syllogistic logic has one rule: what is affirmed/denied of wholes is affirmed/denied of their parts [Engelbretsen/Sayward]
4. Formal Logic / A. Syllogistic Logic / 2. Syllogistic Logic
Syllogistic can't handle sentences with singular terms, or relational terms, or compound sentences [Engelbretsen/Sayward]
4. Formal Logic / A. Syllogistic Logic / 3. Term Logic
Term logic uses expression letters and brackets, and '-' for negative terms, and '+' for compound terms [Engelbretsen/Sayward]
5. Theory of Logic / A. Overview of Logic / 4. Pure Logic
In modern logic all formal validity can be characterised syntactically [Engelbretsen/Sayward]
5. Theory of Logic / A. Overview of Logic / 6. Classical Logic
Classical logic rests on truth and models, where constructivist logic rests on defence and refutation [Engelbretsen/Sayward]
5. Theory of Logic / D. Assumptions for Logic / 4. Identity in Logic
Unlike most other signs, = cannot be eliminated [Engelbretsen/Sayward]
5. Theory of Logic / K. Features of Logics / 5. Incompleteness
Axioms are ω-incomplete if the instances are all derivable, but the universal quantification isn't [Engelbretsen/Sayward]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
Maybe 'sense-data' just help us to talk about unusual perceptual situations [Lacey]
12. Knowledge Sources / B. Perception / 4. Sense Data / b. Nature of sense-data
Where do sense-data begin or end? Can they change? What sort of thing are they? [Lacey]
Some claim sense-data are public, and are parts of objects [Lacey]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]