21 ideas
13913 | The four 'perfect syllogisms' are called Barbara, Celarent, Darii and Ferio [Engelbretsen/Sayward] |
13914 | Syllogistic logic has one rule: what is affirmed/denied of wholes is affirmed/denied of their parts [Engelbretsen/Sayward] |
13915 | Syllogistic can't handle sentences with singular terms, or relational terms, or compound sentences [Engelbretsen/Sayward] |
13916 | Term logic uses expression letters and brackets, and '-' for negative terms, and '+' for compound terms [Engelbretsen/Sayward] |
10653 | Maybe set theory need not be well-founded [Varzi] |
10648 | Mereology need not be nominalist, though it is often taken to be so [Varzi] |
10655 | Are there mereological atoms, and are all objects made of them? [Varzi] |
10659 | There is something of which everything is part, but no null-thing which is part of everything [Varzi] |
13850 | In modern logic all formal validity can be characterised syntactically [Engelbretsen/Sayward] |
13849 | Classical logic rests on truth and models, where constructivist logic rests on defence and refutation [Engelbretsen/Sayward] |
13851 | Unlike most other signs, = cannot be eliminated [Engelbretsen/Sayward] |
13852 | Axioms are ω-incomplete if the instances are all derivable, but the universal quantification isn't [Engelbretsen/Sayward] |
10661 | 'Composition is identity' says multitudes are the reality, loosely composing single things [Varzi] |
10654 | The parthood relation will help to define at least seven basic predicates [Varzi] |
10651 | If 'part' is reflexive, then identity is a limit case of parthood [Varzi] |
10649 | 'Part' stands for a reflexive, antisymmetric and transitive relation [Varzi] |
10647 | Parts may or may not be attached, demarcated, arbitrary, material, extended, spatial or temporal [Varzi] |
10658 | Sameness of parts won't guarantee identity if their arrangement matters [Varzi] |
10652 | Conceivability may indicate possibility, but literary fantasy does not [Varzi] |
20422 | The experience of expression and communication are intermingled in art [Croce] |
7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |