Combining Philosophers

All the ideas for Dougherty,T/Rysiew,P, Richard Wollheim and Graham Priest

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59 ideas

2. Reason / B. Laws of Thought / 3. Non-Contradiction
Someone standing in a doorway seems to be both in and not-in the room [Priest,G, by Sorensen]
4. Formal Logic / E. Nonclassical Logics / 5. Relevant Logic
A logic is 'relevant' if premise and conclusion are connected, and 'paraconsistent' allows contradictions [Priest,G, by Friend]
4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
Free logic is one of the few first-order non-classical logics [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / a. Symbols of ST
X1 x X2 x X3... x Xn indicates the 'cartesian product' of those sets [Priest,G]
<a,b&62; is a set whose members occur in the order shown [Priest,G]
a ∈ X says a is an object in set X; a ∉ X says a is not in X [Priest,G]
{x; A(x)} is a set of objects satisfying the condition A(x) [Priest,G]
{a1, a2, ...an} indicates that a set comprising just those objects [Priest,G]
Φ indicates the empty set, which has no members [Priest,G]
{a} is the 'singleton' set of a (not the object a itself) [Priest,G]
X⊂Y means set X is a 'proper subset' of set Y [Priest,G]
X⊆Y means set X is a 'subset' of set Y [Priest,G]
X = Y means the set X equals the set Y [Priest,G]
X ∩ Y indicates the 'intersection' of sets X and Y, the objects which are in both sets [Priest,G]
X∪Y indicates the 'union' of all the things in sets X and Y [Priest,G]
Y - X is the 'relative complement' of X with respect to Y; the things in Y that are not in X [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / b. Terminology of ST
The 'relative complement' is things in the second set not in the first [Priest,G]
The 'intersection' of two sets is a set of the things that are in both sets [Priest,G]
The 'union' of two sets is a set containing all the things in either of the sets [Priest,G]
The 'induction clause' says complex formulas retain the properties of their basic formulas [Priest,G]
An 'ordered pair' (or ordered n-tuple) is a set with its members in a particular order [Priest,G]
A 'cartesian product' of sets is the set of all the n-tuples with one member in each of the sets [Priest,G]
A 'set' is a collection of objects [Priest,G]
The 'empty set' or 'null set' has no members [Priest,G]
A set is a 'subset' of another set if all of its members are in that set [Priest,G]
A 'proper subset' is smaller than the containing set [Priest,G]
A 'singleton' is a set with only one member [Priest,G]
A 'member' of a set is one of the objects in the set [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / c. Basic theorems of ST
The empty set Φ is a subset of every set (including itself) [Priest,G]
5. Theory of Logic / L. Paradox / 1. Paradox
Typically, paradoxes are dealt with by dividing them into two groups, but the division is wrong [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / b. König's paradox
The 'least indefinable ordinal' is defined by that very phrase [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / c. Berry's paradox
'x is a natural number definable in less than 19 words' leads to contradiction [Priest,G]
5. Theory of Logic / L. Paradox / 4. Paradoxes in Logic / d. Richard's paradox
By diagonalization we can define a real number that isn't in the definable set of reals [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / c. Burali-Forti's paradox
The least ordinal greater than the set of all ordinals is both one of them and not one of them [Priest,G]
5. Theory of Logic / L. Paradox / 5. Paradoxes in Set Theory / e. Mirimanoff's paradox
The next set up in the hierarchy of sets seems to be both a member and not a member of it [Priest,G]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you know that a sentence is not one of the known sentences, you know its truth [Priest,G]
There are Liar Pairs, and Liar Chains, which fit the same pattern as the basic Liar [Priest,G]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
11. Knowledge Aims / A. Knowledge / 2. Understanding
It is nonsense that understanding does not involve knowledge; to understand, you must know [Dougherty/Rysiew]
To grasp understanding, we should be more explicit about what needs to be known [Dougherty/Rysiew]
11. Knowledge Aims / A. Knowledge / 7. Knowledge First
Rather than knowledge, our epistemic aim may be mere true belief, or else understanding and wisdom [Dougherty/Rysiew]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
Don't confuse justified belief with justified believers [Dougherty/Rysiew]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / b. Need for justification
If knowledge is unanalysable, that makes justification more important [Dougherty/Rysiew]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
19. Language / C. Assigning Meanings / 2. Semantics
Entailment is modelled in formal semantics as set inclusion (where 'mammals' contains 'cats') [Dougherty/Rysiew]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]