11 ideas
| 16643 | Accidents always remain suited to a subject [Bonaventura] |
| 14348 | An 'antidote' allows a manifestation to begin, but then blocks it [Corry] |
| 14347 | A 'finkish' disposition is one that is lost immediately after the appropriate stimulus [Corry] |
| 14350 | If a disposition is never instantiated, it shouldn't be part of our theory of nature [Corry] |
| 16696 | Successive things reduce to permanent things [Bonaventura] |
| 14351 | Maybe an experiment unmasks an essential disposition, and reveals its regularities [Corry] |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| 14346 | Dispositional essentialism says fundamental laws of nature are strict, not ceteris paribus [Corry] |