40 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
13007 | Archimedes defined a straight line as the shortest distance between two points [Archimedes, by Leibniz] |
8502 | Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt] |
8503 | The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt] |
8501 | Quineans take predication about objects as basic, not reference to properties they may have [Devitt] |
17368 | Essentialism concerns the nature of a group, not its category [Devitt] |
17370 | Things that gradually change, like species, can still have essences [Devitt] |
9354 | Why should necessities only be knowable a priori? That Hesperus is Phosporus is known empirically [Devitt] |
19565 | How could the mind have a link to the necessary character of reality? [Devitt] |
9353 | We explain away a priori knowledge, not as directly empirical, but as indirectly holistically empirical [Devitt] |
9356 | The idea of the a priori is so obscure that it won't explain anything [Devitt] |
19564 | Some knowledge must be empirical; naturalism implies that all knowledge is like that [Devitt] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
17371 | Some kinds are very explanatory, but others less so, and some not at all [Devitt] |
17369 | We name species as small to share properties, but large enough to yield generalisations [Devitt] |
17367 | Species are phenetic, biological, niche, or phylogenetic-cladistic [Devitt, by PG] |
17372 | The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt] |
17373 | Species pluralism says there are several good accounts of what a species is [Devitt] |