40 ideas
| 9038 | We must distinguish what the speaker denotes by a name, from what the name denotes [Evans] |
| 5824 | How can an expression be a name, if names can change their denotation? [Evans] |
| 9042 | A private intention won't give a name a denotation; the practice needs it to be made public [Evans] |
| 9041 | The Causal Theory of Names is wrong, since the name 'Madagascar' actually changed denotation [Evans] |
| 13007 | Archimedes defined a straight line as the shortest distance between two points [Archimedes, by Leibniz] |
| 16129 | Evans argues (falsely!) that a contradiction follows from treating objects as vague [Evans, by Lowe] |
| 16459 | Is it coherent that reality is vague, identities can be vague, and objects can have fuzzy boundaries? [Evans] |
| 16460 | Evans assumes there can be vague identity statements, and that his proof cannot be right [Evans, by Lewis] |
| 16457 | There clearly are vague identity statements, and Evans's argument has a false conclusion [Evans, by Lewis] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14484 | If a=b is indeterminate, then a=/=b, and so there cannot be indeterminate identity [Evans, by Thomasson] |
| 16224 | There can't be vague identity; a and b must differ, since a, unlike b, is only vaguely the same as b [Evans, by PG] |
| 14895 | 'Superficial' contingency: false in some world; 'Deep' contingency: no obvious verification [Evans, by Macià/Garcia-Carpentiro] |
| 11881 | Rigid designators can be meaningful even if empty [Evans, by Mackie,P] |
| 7639 | The Homunculus Fallacy explains a subject perceiving objects by repeating the problem internally [Evans] |
| 12580 | Experiences have no conceptual content [Evans, by Greco] |
| 7643 | We have far fewer colour concepts than we have discriminations of colour [Evans] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 23794 | Some representational states, like perception, may be nonconceptual [Evans, by Schulte] |
| 16366 | The Generality Constraint says if you can think a predicate you can apply it to anything [Evans] |
| 12575 | Concepts have a 'Generality Constraint', that we must know how predicates apply to them [Evans, by Peacocke] |
| 5825 | Speakers intend to refer to items that are the source of their information [Evans] |
| 5823 | The intended referent of a name needs to be the cause of the speaker's information about it [Evans] |
| 9039 | If descriptions are sufficient for reference, then I must accept a false reference if the descriptions fit [Evans] |
| 9043 | We use expressions 'deferentially', to conform to the use of other people [Evans] |
| 9040 | Charity should minimize inexplicable error, rather than maximising true beliefs [Evans] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |