Combining Philosophers

All the ideas for Anaxarchus, G.E.M. Anscombe and Richard Wollheim

expand these ideas     |    start again     |     specify just one area for these philosophers


28 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
The qualities involved in sensations are entirely intentional [Anscombe, by Armstrong]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
16. Persons / F. Free Will / 3. Constraints on the will
Freedom involves acting according to an idea [Anscombe]
16. Persons / F. Free Will / 6. Determinism / a. Determinism
To believe in determinism, one must believe in a system which determines events [Anscombe]
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
Intentional actions are those which are explained by giving the reason for so acting [Anscombe]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
It would be better to point to failings of character, than to moral wrongness of actions [Anscombe]
23. Ethics / D. Deontological Ethics / 1. Deontology
'Ought' and 'right' are survivals from earlier ethics, and should be jettisoned [Anscombe]
Between Aristotle and us, a Judaeo-Christian legal conception of ethics was developed [Anscombe]
26. Natural Theory / C. Causation / 5. Direction of causation
With diseases we easily trace a cause from an effect, but we cannot predict effects [Anscombe]
26. Natural Theory / C. Causation / 6. Causation as primitive
The word 'cause' is an abstraction from a group of causal terms in a language (scrape, push..) [Anscombe]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
Causation is relative to how we describe the primary relata [Anscombe, by Schaffer,J]
26. Natural Theory / C. Causation / 8. Particular Causation / c. Conditions of causation
Since Mill causation has usually been explained by necessary and sufficient conditions [Anscombe]