Combining Philosophers

All the ideas for Anaxarchus, Fred Dretske and Clive Bell

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37 ideas

11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
Belief is the power of metarepresentation [Dretske]
11. Knowledge Aims / A. Knowledge / 4. Belief / f. Animal beliefs
A mouse hearing a piano played does not believe it, because it lacks concepts and understanding [Dretske]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / c. Knowledge closure
You have knowledge if you can rule out all the relevant alternatives to what you believe [Dretske, by DeRose]
Closure says if you know P, and also know P implies Q, then you must know Q [Dretske]
We needn't regret the implications of our regrets; regretting drinking too much implies the past is real [Dretske]
Knowing by visual perception is not the same as knowing by implication [Dretske]
Reasons for believing P may not transmit to its implication, Q [Dretske]
The only way to preserve our homely truths is to abandon closure [Dretske]
P may imply Q, but evidence for P doesn't imply evidence for Q, so closure fails [Dretske]
We know past events by memory, but we don't know the past is real (an implication) by memory [Dretske]
13. Knowledge Criteria / D. Scepticism / 1. Scepticism
Anaxarchus said that he was not even sure that he knew nothing [Anaxarchus, by Diog. Laertius]
15. Nature of Minds / A. Nature of Mind / 1. Mind / d. Location of mind
Representations are in the head, but their content is not, as stories don't exist in their books [Dretske]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / d. Purpose of consciousness
Some activities are performed better without consciousness of them [Dretske]
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
Qualia are just the properties objects are represented as having [Dretske]
16. Persons / C. Self-Awareness / 1. Introspection
Introspection is the same as the experience one is introspecting [Dretske]
In a representational theory of mind, introspection is displaced perception [Dretske]
Introspection does not involve looking inwards [Dretske]
17. Mind and Body / C. Functionalism / 2. Machine Functionalism
A representational theory of the mind is an externalist theory of the mind [Dretske]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
All mental facts are representation, which consists of informational functions [Dretske]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]