37 ideas
1815 | Reasoning needs arbitrary faith in preliminary hypotheses (Mode 14) [Agrippa, by Diog. Laertius] |
1812 | All discussion is full of uncertainty and contradiction (Mode 11) [Agrippa, by Diog. Laertius] |
1811 | Proofs often presuppose the thing to be proved (Mode 15) [Agrippa, by Diog. Laertius] |
1813 | All reasoning endlessly leads to further reasoning (Mode 12) [Agrippa, by Diog. Laertius] |
14329 | Some dispositional properties (such as mental ones) may have no categorical base [Price,HH] |
8850 | Agrippa's Trilemma: justification is infinite, or ends arbitrarily, or is circular [Agrippa, by Williams,M] |
1814 | Everything is perceived in relation to another thing (Mode 13) [Agrippa, by Diog. Laertius] |
9032 | Before we can abstract from an instance of violet, we must first recognise it [Price,HH] |
9034 | There may be degrees of abstraction which allow recognition by signs, without full concepts [Price,HH] |
9035 | If judgement of a characteristic is possible, that part of abstraction must be complete [Price,HH] |
9036 | There is pre-verbal sign-based abstraction, as when ice actually looks cold [Price,HH] |
9037 | Intelligent behaviour, even in animals, has something abstract about it [Price,HH] |
9033 | Recognition must precede the acquisition of basic concepts, so it is the fundamental intellectual process [Price,HH] |
10645 | We reach concepts by clarification, or by definition, or by habitual experience [Price,HH] |
9030 | Abstractions can be interpreted dispositionally, as the ability to recognise or imagine an item [Price,HH] |
9029 | If ideas have to be images, then abstract ideas become a paradoxical problem [Price,HH] |
10646 | Our understanding of 'dog' or 'house' arises from a repeated experience of concomitances [Price,HH] |
9031 | The basic concepts of conceptual cognition are acquired by direct abstraction from instances [Price,HH] |
10644 | A 'felt familiarity' with universals is more primitive than abstraction [Price,HH] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |