38 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| 17518 | Counting 'coin in this box' may have coin as the unit, with 'in this box' merely as the scope [Ayers] |
| 17516 | If counting needs a sortal, what of things which fall under two sortals? [Ayers] |
| 17520 | Events do not have natural boundaries, and we have to set them [Ayers] |
| 17519 | To express borderline cases of objects, you need the concept of an 'object' [Ayers] |
| 17510 | Speakers need the very general category of a thing, if they are to think about it [Ayers] |
| 17522 | We use sortals to classify physical objects by the nature and origin of their unity [Ayers] |
| 17515 | Seeing caterpillar and moth as the same needs continuity, not identity of sortal concepts [Ayers] |
| 17511 | Recognising continuity is separate from sortals, and must precede their use [Ayers] |
| 17517 | Could the same matter have more than one form or principle of unity? [Ayers] |
| 17513 | If there are two objects, then 'that marble, man-shaped object' is ambiguous [Ayers] |
| 17523 | Sortals basically apply to individuals [Ayers] |
| 17521 | You can't have the concept of a 'stage' if you lack the concept of an object [Ayers] |
| 17514 | Temporal 'parts' cannot be separated or rearranged [Ayers] |
| 17509 | Some say a 'covering concept' completes identity; others place the concept in the reference [Ayers] |
| 17512 | If diachronic identities need covering concepts, why not synchronic identities too? [Ayers] |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| 22339 | Love is a central concept in morals [Murdoch] |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| 7810 | The 'Eumenides' of Aeschylus shows blood feuds replaced by law [Aeschylus, by Grayling] |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |