9 ideas
| 22002 | Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard] |
| Full Idea: The dominant philosophy of mid-eighteenth century Germany was Wolffianism, a codified and almost legalistically organised form of Leibnizian thought. | |
| From: Terry Pinkard (German Philosophy 1760-1860 [2002], Intro) | |
| A reaction: Kant grew up in this intellectual climate. |
| 22021 | Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard] |
| Full Idea: Early Romanticism can be seen as the exploration of subjective interiority and as the re-enchantment of nature (as organic). Hegel said they had the idea of a 'beautiful soul', which (he said) either paralysed action, or made them smug. | |
| From: Terry Pinkard (German Philosophy 1760-1860 [2002], 06) | |
| A reaction: [compressed, inc Note 1] A major dilemma of life is the extent of our social engagement, because it makes life worthwhile, but pollutes the mind with continual conflicts. |
| 22010 | The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard] |
| Full Idea: After the French Revolution, philosophy suddenly became the key rallying point for an entire generation of German intellectuals, who had been reading Kant as the harbinger of a new order. | |
| From: Terry Pinkard (German Philosophy 1760-1860 [2002], Pt II Intro) | |
| A reaction: Kant was a harbinger because he offered an autonomous status to each individual, rather than being subservient to a social order. |
| 22036 | In Hegel's time naturalism was called 'Spinozism' [Pinkard] |
| Full Idea: In Hegel's time the shorthand for the Naturalistic worldview was 'Spinozism'. | |
| From: Terry Pinkard (German Philosophy 1760-1860 [2002], 10) | |
| A reaction: Spinozism hit Germany like a bomb in 1786, when it was reported that the poet Hölderlin was a fan of Spinoza. |
| 12887 | A whole must have one characteristic, an internal relation, and a structure [Rescher/Oppenheim] |
| Full Idea: A whole must possess an attribute peculiar to and characteristic of it as a whole; there must be a characteristic relation of dependence between the parts; and the whole must have some structure which gives it characteristics. | |
| From: Rescher,N/Oppenheim,P (Logical Analysis of Gestalt Concepts [1955], p.90), quoted by Peter Simons - Parts 9.2 | |
| A reaction: Simons says these are basically sensible conditions, and tries to fill them out. They seem a pretty good start, and I must resist the temptation to rush to borderline cases. |
| 22048 | Idealism is the link between reason and freedom [Pinkard] |
| Full Idea: Idealism was conceived as a link between reason and freedom. | |
| From: Terry Pinkard (German Philosophy 1760-1860 [2002], 14 Conc) | |
| A reaction: I'm beginning to see the Romantic era as the Age of Freedom, which followed the Age of Reason. This idea fits that picture nicely. Pinkard says that paradoxes resulted from the attemptl |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |