32 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
| Full Idea: It seems unavoidable that the facts about logically necessary relations between levels of facts are themselves logically distinct further facts, irreducible to the microphysical facts. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
| A reaction: I'm beginning to think that rejecting every theory of reality that is proposed by carefully exposing some infinite regress hidden in it is a rather lazy way to do philosophy. Almost as bad as rejecting anything if it can't be defined. |
| 16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
| Full Idea: Logical supervenience, restricted to individuals, seems to imply strong reduction. It is said that where the B-facts logically supervene on the A-facts, the B-facts simply re-describe what the A-facts describe, and the B-facts come along 'for free'. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
| A reaction: This seems to be taking 'logically' to mean 'analytically'. Presumably an entailment is logically supervenient on its premisses, and may therefore be very revealing, even if some people think such things are analytic. |
| 16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
| Full Idea: The root intuition behind nonreductive materialism is that reality is composed of ontologically distinct layers or levels. …The upper levels depend on the physical without reducing to it. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], B) | |
| A reaction: A nice clear statement of a view which I take to be false. This relationship is the sort of thing that drives people fishing for an account of it to use the word 'supervenience', which just says two things seem to hang out together. Fluffy materialism. |
| 16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
| Full Idea: Jessica Wilson (1999) says what makes physicalist accounts different from emergentism etc. is that each individual causal power associated with a supervenient property is numerically identical with a causal power associated with its base property. | |
| From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], n 11) | |
| A reaction: Hence the key thought in so-called (serious, rather than self-evident) 'emergentism' is so-called 'downward causation', which I take to be an idle daydream. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 21181 | Relativity and Quantum theory give very different accounts of forces [Hesketh] |
| Full Idea: General Relativity and quantum mechanics are the two great theories in physics today but they give two very different ideas for how forces work. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 01) | |
| A reaction: Relativity says it is space curvature, and quantum theory says it is particle exchange? But is there a Relativity account of the strong nuclear force? |
| 21183 | Thermodynamics introduced work and entropy, to understand steam engine efficiency [Hesketh] |
| Full Idea: The Laws of Thermodynamics introduced the concepts of entropy and work; put simply, how much useful energy you can really get out of a steam engine. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 03) | |
| A reaction: The point of science by this stage was to introduce measurable and quantifiable concepts |
| 21191 | Photons are B and W° bosons, linked by the Higgs mechanism [Hesketh] |
| Full Idea: The photon is actually a mix of two deeper things, the B and the W°, tied together by the Higgs mechanism. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 06) | |
| A reaction: The B (for 'Boson') transmits a force associated with the 'winding symmetry'. (I record this without properly understanding it.) |
| 21199 | Spinning electric charge produces magnetism, so all fermions are magnets [Hesketh] |
| Full Idea: The muon, like all fermions, spins - and because a spinning electric charge generates a magnetic field all fermions act like tiny bar magnets. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 11) |
| 21189 | Electrons may have smaller components, bound by a new force [Hesketh] |
| Full Idea: Quarks, leptons or bosons may actually be made up of something even smaller, bound together by a conjectural new force. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 05) | |
| A reaction: Electrons are a type of lepton. Compare Idea 21180, from the same book. If electrons are not fundamental, what matters is not some 'stuff' they are made of, but a different force that would bind the ingredients. |
| 21180 | Electrons are fundamental and are not made of anything; they are properties without size [Hesketh] |
| Full Idea: As far as we can tell, electrons (and quarks) are fundamental. They are not small lumps of material, because we could always ask what the material is. The electron just ...is. They are collections of properties, with no apparent size. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 01) | |
| A reaction: This idea from physics HAS to be of interest to philosophers! The bundle theory is discredited for normal objects and for minds, and so is the substrate idea for supporting properties. But rigorous physics accepts a bundle theory. |
| 21182 | Quantum mechanics is our only theory, and is very precise, and repeatedly confirmed [Hesketh] |
| Full Idea: Quantum mechanics is the only working description of the universe that we have. It is amazingly precise, and so far every experimental test has verified its predictions. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 02) | |
| A reaction: I take it from this that quantum mechanics is simply TRUE. Get over it! It will never turn out to be wrong, but may be subsumed within some more fine-grained or extensive theory. |
| 21184 | Physics was rewritten to explain stable electron orbits [Hesketh] |
| Full Idea: Explaining the stable electron orbits would require a complete rewriting of the physics of subatomic particles. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 03) | |
| A reaction: This really looks like a simple and major landmark moment. You can ignore a single anomaly, but not a central feature of your entire theory. |
| 21187 | Virtual particles can't be measured, and can ignore the laws of physics [Hesketh] |
| Full Idea: We can never measure these virtual (transitory) particles directly, and it turns out that they don't even have to obey the laws of physics. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 05) | |
| A reaction: These seems to be the real significance of the Uncertainty Principle. Such particles 'borrow' huge amounts of energy for very short times. |
| 21185 | Colour charge is positive or negative, and also has red, green or blue direction [Hesketh] |
| Full Idea: Colour charge is 'three-dimensional'. As well as the charge having a positive or negative sign, it can also have a direction, and for convenience these three different directions (pointing like a weather vane) are labelled 'red', 'green' and 'blue'. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 04) |
| 21194 | The Standard Model omits gravity, because there are no particles involved [Hesketh] |
| Full Idea: Gravity is not included in the Standard Model because we simply cannot study it using particles. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 09) | |
| A reaction: I'm guessing that Einstein describes how gravity behaves, but not what it is. |
| 21195 | In Supersymmetry the Standard Model simplifies at high energies [Hesketh] |
| Full Idea: Supersymmetry suggest that the Standard Model becomes much simpler at high energies. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 10) |
| 21197 | Standard Model forces are one- two- and three-dimensional [Hesketh] |
| Full Idea: The forces in the Standard Model are built on gauge symmetries, with a one-dimensional charge (like electromagnetism), a two-dimensional charge (the weak force), and a three dimensional charge (the strong force). | |
| From: Gavin Hesketh (The Particle Zoo [2016], 10) | |
| A reaction: See also Idea 21185. |
| 21188 | Quarks and leptons have a weak charge, for the weak force [Hesketh] |
| Full Idea: For the weak force there must be a corresponding 'weak charge', and all the fermions, all the quarks and leptons carry it. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 05) | |
| A reaction: So electrons carry a weak charge, as well as an electromagnetic charge. Like owning several passports. |
| 21186 | Quarks rush wildly around in protons, restrained by the gluons [Hesketh] |
| Full Idea: Inside a proton the quarks are rushing around like caged animals, free to move until they push against the bars to try to escape, when the gluons pull them back in. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 04) |
| 21192 | Neutrinos only interact with the weak force, but decays produce them in huge numbers [Hesketh] |
| Full Idea: Neutrinos only interact with the weak force, which means they barely interact at all, but because the weak force is crucial in the decays of so many other particles, neutrinos are still produced in huge numbers. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 08) | |
| A reaction: They only interact with the W and Z bosons. |
| 21196 | To combine the forces, they must all be the same strength at some point [Hesketh] |
| Full Idea: If all the forces are to combine, at some point they must all be the same strength, and Supersymmetry (SuSy) makes this happen. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 10) | |
| A reaction: This sounds like an impressive reason for favouring supersymmetry - as long as you have an a priori preference for everything combining. |
| 21190 | 'Space' in physics just means location [Hesketh] |
| Full Idea: 'Space' in physics really just means location. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 06) | |
| A reaction: Location can, of course, only be specified relative to something else. Space is really an abstraction, but at least it means there is some sort of background to locate all the fundamental fields. |
| 21193 | The universe is 68% dark energy, 27% dark matter, 5% regular matter [Hesketh] |
| Full Idea: The most precise surveys of the stars and galaxies tell us that the universe is made up of 68% dark energy, 27% dark matter, and just 5% regular matter (the stuff of the Standard Model of particle physics). | |
| From: Gavin Hesketh (The Particle Zoo [2016], 09) | |
| A reaction: Regular matter - that's me, that is. |
| 21198 | If a cosmic theory relies a great deal on fine-tuning basic values, it is probably wrong [Hesketh] |
| Full Idea: If a theory has to rely on excessive 'fine-tuning', a series of extremely unlikely events in order to produce the universe we see around us, then it is extremely unlikely that this theory is correct. | |
| From: Gavin Hesketh (The Particle Zoo [2016], 10) | |
| A reaction: He says the Standard Model has 26 parameters which are only known by experiment, rather than by theory. So instead of saying '...so there is a God', we should say '...so our theory isn't very good'. |