20 ideas
21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
Full Idea: Hamann, Herder and Jacobi are central figues in the reaction against Enlightenment. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 'immediate') | |
A reaction: From a British perspective I would see Hume as the leading such figure. Hamann emphasised the neglect of the role of language. Jacobi was a Christian. |
21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
Full Idea: Kant's Critique swiftly brought rationalism to a halt, and after Kant empiricism has displayed a nervousness regarding its foundations, and been forced to assume more sophisticated forms. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10 Intro) | |
A reaction: See the ideas of Laurence Bonjour for a modern revival of rationalism. After Kant philosophers either went existential, or stared gloomily into the obscure depths. Formal logic was seen as a possible rope ladder down. |
21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
Full Idea: Apart from Hegel, no later philosophical system equals in stature Kant's attempt to weld together the diverse fields of natural science, morality, politics, aesthetics and religion into a systematic overarching epistemological and metaphysical unity. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 10) | |
A reaction: Earlier candidate are Plato and Aristotle. Earlier Enlightenment figures say little about morality or aesthetics. Hobbes ranges widely. Aquinas covered most things. |
21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
Full Idea: A transcendental proof converts a possibility into a necessity: by saying under what conditions experience of objects is possible, transcendental proofs show those conditions to be necessary for us to the extent that we have any experience of objects. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 02 'Transc') | |
A reaction: They appear to be hypothetical necessities, rather than true metaphysical necessities. Gardner is discussing Kant, but seems to be generalising. Hypothetical necessities are easy: if it is flying, it is necessarily above the ground. |
21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
Full Idea: There is now 'pure' geometry, consisting of formal systems based on axioms for which truth is not claimed, and which are consequently not synthetic; and 'applied', a branch of physics, the truth of which is empirical, and therefore not a priori. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 03 'Maths') | |
A reaction: His point is that there is no longer any room for a priori geometry. Might the same division be asserted of arithmetic, or analysis, or set theory? |
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
Full Idea: It seems unavoidable that the facts about logically necessary relations between levels of facts are themselves logically distinct further facts, irreducible to the microphysical facts. | |
From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
A reaction: I'm beginning to think that rejecting every theory of reality that is proposed by carefully exposing some infinite regress hidden in it is a rather lazy way to do philosophy. Almost as bad as rejecting anything if it can't be defined. |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
Full Idea: Logical supervenience, restricted to individuals, seems to imply strong reduction. It is said that where the B-facts logically supervene on the A-facts, the B-facts simply re-describe what the A-facts describe, and the B-facts come along 'for free'. | |
From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], C) | |
A reaction: This seems to be taking 'logically' to mean 'analytically'. Presumably an entailment is logically supervenient on its premisses, and may therefore be very revealing, even if some people think such things are analytic. |
21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
Full Idea: Leibnizian monads clearly satisfy Kant's definition of noumena. | |
From: Sebastian Gardner (Kant and the Critique of Pure Reason [1999], 06 'Noumena') | |
A reaction: This needs qualifying, because Leibniz clearly specifies the main attributes of monads, where Kant is adamant that we can saying virtually nothing about noumena. |
10502 | We can rise by degrees through abstraction, with higher levels representing more things [Arnauld,A/Nicole,P] |
Full Idea: I can start with a triangle, and rise by degrees to all straight-lined figures and to extension itself. The lower degree will include the higher degree. Since the higher degree is less determinate, it can represent more things. | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], I.5) | |
A reaction: [compressed] This attempts to explain the generalising ability of abstraction cited in Idea 10501. If you take a complex object and eliminate features one by one, it can only 'represent' more particulars; it could hardly represent fewer. |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
Full Idea: The root intuition behind nonreductive materialism is that reality is composed of ontologically distinct layers or levels. …The upper levels depend on the physical without reducing to it. | |
From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], B) | |
A reaction: A nice clear statement of a view which I take to be false. This relationship is the sort of thing that drives people fishing for an account of it to use the word 'supervenience', which just says two things seem to hang out together. Fluffy materialism. |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
Full Idea: Jessica Wilson (1999) says what makes physicalist accounts different from emergentism etc. is that each individual causal power associated with a supervenient property is numerically identical with a causal power associated with its base property. | |
From: Lynch,MP/Glasgow,JM (The Impossibility of Superdupervenience [2003], n 11) | |
A reaction: Hence the key thought in so-called (serious, rather than self-evident) 'emergentism' is so-called 'downward causation', which I take to be an idle daydream. |
18258 | We can only know the exterior world via our ideas [Arnauld,A/Nicole,P] |
Full Idea: We can have knowledge of what is outside us only through the mediation of ideas in us. | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], p.63), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 1 'Conc' |
16784 | Forms make things distinct and explain the properties, by pure form, or arrangement of parts [Arnauld,A/Nicole,P] |
Full Idea: The form is what renders a thing such and distinguishes it from others, whether it is a being really distinct from the matter, according to the Schools, or whether it is only the arrangement of the parts. By this form one must explain its properties. | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], III.18 p240), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 27.6 | |
A reaction: If we ask 'what explains the properties of this thing' it is hard to avoid coming up with something that might be called the 'form'. Note that they allow either substantial or corpuscularian forms. It is hard to disagree with the idea. |
10499 | We know by abstraction because we only understand composite things a part at a time [Arnauld,A/Nicole,P] |
Full Idea: The mind cannot perfectly understand things that are even slightly composite unless it considers them a part at a time. ...This is generally called knowing by abstraction. (..the human body, for example). | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], I.5) | |
A reaction: This adds the interesting thought that the mind is forced to abstract, rather than abstraction being a luxury extra feature. Knowledge through analysis is knowledge by abstraction. Also a nice linking of abstraction to epistemology. |
10501 | A triangle diagram is about all triangles, if some features are ignored [Arnauld,A/Nicole,P] |
Full Idea: If I draw an equilateral triangle on a piece of paper, ..I shall have an idea of only a single triangle. But if I ignore all the particular circumstances and focus on the three equal lines, I will be able to represent all equilateral triangles. | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], I.5) | |
A reaction: [compressed] They observed that we grasp composites through their parts, and now that we can grasp generalisations through particulars, both achieved by the psychological act of abstraction, thus showing its epistemological power. |
10500 | No one denies that a line has width, but we can just attend to its length [Arnauld,A/Nicole,P] |
Full Idea: Geometers by no means assume that there are lines without width or surfaces without depth. They only think it is possible to consider the length without paying attention to the width. We can measure the length of a path without its width. | |
From: Arnauld / Nicole (Logic (Port-Royal Art of Thinking) [1662], I.5) | |
A reaction: A nice example which makes the point indubitable. The modern 'rigorous' account of abstraction that starts with Frege seems to require more than one object, in order to derive abstractions like direction or number. Path widths are not comparatives. |
8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
From: Sebastian Gardner (Aesthetics [1995], Intro) | |
A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |