39 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| Full Idea: An unexamined life can be virtuous. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. A firm rejection of the intellectualist view of virtue, to which most Greeks subscribed. Jesus would have liked this one. |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| Full Idea: Philosophy has in a sense to keep trying to return to the beginning. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This is a sign that philosophy is not like other subjects, and indicates that although the puzzles are not solved, they won't go away. Also that, unlike most other subjects, the pre-suppositions are not part of the subject. |
| 19090 | If we can't check our language against experience, philosophy is just comparing beliefs and words [Rorty] |
| Full Idea: If we cannot check our language against non-linguistic awareness, then philosophy can never be more than a discussion of the utility and compatibility of beliefs - and, more particularly, of the various vocabularies in which those beliefs are formulated. | |
| From: Richard Rorty (Brandom on Social Practices and Representations [1998], iii.127), quoted by Danielle Macbeth - Pragmatism and Objective Truth p.178 | |
| A reaction: I'm amazed at how many people I encounter in philosophy circles (compared with none at all outside those circles) who seem to think that we cannot check our language against our non-linguistic awareness. Rorty is their guru. Weird. |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| Full Idea: There is a two-way movement in philosophy, a movement towards the building of elaborate theories, and a move back again towards the consideration of simple and obvious facts. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Nice. Without the theories there is no philosophy, but without continual reference back to the obvious facts the theories are worthless. |
| 2557 | Analytical philosophy seems to have little interest in how to tell a good analysis from a bad one [Rorty] |
| Full Idea: There is nowadays little attempt to bring "analytic philosophy" to self-consciousness by explaining how to tell a successful from an unsuccessful analysis. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 4.1) |
| 2556 | Rational certainty may be victory in argument rather than knowledge of facts [Rorty] |
| Full Idea: We can think of "rational certainty" as a matter of victory in argument rather than relation to an object known. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 3.4) |
| 4726 | Rorty seems to view truth as simply being able to hold one's view against all comers [Rorty, by O'Grady] |
| Full Idea: Rorty seems to view truth as simply being able to hold one's view against all comers. | |
| From: report of Richard Rorty (Philosophy and the Mirror of Nature [1980]) by Paul O'Grady - Relativism Ch.4 | |
| A reaction: This may be a caricature of Rorty, but he certainly seems to be in the business of denying truth as much as possible. This strikes me as the essence of pragmatism, and as a kind of philosophical nihilism. |
| 2549 | For James truth is "what it is better for us to believe" rather than a correct picture of reality [Rorty] |
| Full Idea: Truth is, in James' phrase, "what it is better for us to believe", rather than "the accurate representation of reality". | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Intro) |
| 2548 | If knowledge is merely justified belief, justification is social [Rorty] |
| Full Idea: If we have a Deweyan conception of knowledge, as what we are justified in believing, we will see "justification" as a social phenomenon. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Intro) | |
| A reaction: I find this observation highly illuminating (though I probably need to study Dewey to understand it). There just is no absolute about whether someone is justified. How justified do you want to be? |
| 6599 | Knowing has no definable essence, but is a social right, found in the context of conversations [Rorty] |
| Full Idea: If we see knowing not as having an essence, described by scientists or philosophers, but rather as a right, by current standards, to believe, then we see conversation as the ultimate context within which knowledge is to be understood. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], Ch.5), quoted by Robert Fogelin - Walking the Tightrope of Reason Ch.5 | |
| A reaction: This teeters towards ridiculous relativism (e.g. what if the conversation is among a group of fools? - Ah, there are no fools! Politically incorrect!). However, knowledge can be social, provided we are healthily elitist. Scientists know more than us. |
| 2566 | You can't debate about whether to have higher standards for the application of words [Rorty] |
| Full Idea: The decision about whether to have higher than usual standards for the application of words like "true" or "good" or "red" is, as far as I can see, not a debatable issue. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.6) |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| Full Idea: There are six 'reductive levels' in science: social groups, (multicellular) living things, cells, molecules, atoms, and elementary particles. | |
| From: report of H.Putnam/P.Oppenheim (Unity of Science as a Working Hypothesis [1958]) by Peter Watson - Convergence 10 'Intro' | |
| A reaction: I have the impression that fields are seen as more fundamental that elementary particles. What is the status of the 'laws' that are supposed to govern these things? What is the status of space and time within this picture? |
| 2553 | The mind is a property, or it is baffling [Rorty] |
| Full Idea: All that is needed for the mind-body problem to be unintelligible is for us to be nominalist, to refuse firmly to hypostasize individual properties. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.3) | |
| A reaction: Edelman says the mind is a process rather than a property. It might vanish if the clockspeed was turned right down? Nominalism here sounds like behaviourism or instrumentalism. Would Dennett plead guilty? |
| 2550 | Pain lacks intentionality; beliefs lack qualia [Rorty] |
| Full Idea: We can't define the mental as intentional because pains aren't about anything, and we can't define it as phenomenal because beliefs don't feel like anything. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.2) | |
| A reaction: Nice, but simplistic? There is usually an intentional object for a pain, and the concepts which we use to build beliefs contain the residue of remembered qualia. It seems unlikely that any mind could have one without the other (even a computer). |
| 2554 | Is intentionality a special sort of function? [Rorty] |
| Full Idea: Following Wittgenstein, we shall treat the intentional as merely a subspecies of the functional. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 1.3) | |
| A reaction: Intriguing but obscure. Sounds wrong to me. The intentional refers to the content of thoughts, but function concerns their role. They have roles because they have content, so they can't be the same. |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| Full Idea: We know of perfection as we look upon what is imperfect. | |
| From: Iris Murdoch (Metaphysics as a Guide to Morals [1992], 13) | |
| A reaction: This is in the context of a discussion of the ontological argument for God's existence, but I seize on it as a nice expression of the idealisation capacity of our minds. The alternative is that perfection is innate idea, since we aren't seeing it. |
| 2565 | Nature has no preferred way of being represented [Rorty] |
| Full Idea: Nature has no preferred way of being represented. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.5) | |
| A reaction: Tree rings accidentally represent the passing of the years. If God went back and started again would she or he opt for a 'preferred way'? |
| 2560 | Can meanings remain the same when beliefs change? [Rorty] |
| Full Idea: For cooler heads there must be some middle view between "meanings remain and beliefs change" and "meanings change whenever beliefs do". | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.2) | |
| A reaction: The second one seems blatanty false. How could we otherwise explain a change in belief? But obviously some changes in belief (e.g. about electrons) produce a change in meaning. |
| 2562 | A theory of reference seems needed to pick out objects without ghostly inner states [Rorty] |
| Full Idea: The need to pick out objects without the help of definitions, essences, and meanings of terms produced, philosophers thought, a need for a "theory of reference". | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.3) | |
| A reaction: Frege's was very perceptive in noting that meaning and reference are not the same. Whether we need a 'theory' of reference is unclear. It is worth describing how it occurs. |
| 2559 | Davidson's theory of meaning focuses not on terms, but on relations between sentences [Rorty] |
| Full Idea: A theory of meaning, for Davidson, is not an assemblage of "analyses" of the meanings of individual terms, but rather an understanding of the inferential relations between sentences. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 6.1) | |
| A reaction: Put that way, the influence of Frege on Davidson is obvious. Purely algebraic expressions can have inferential relations, using variables and formal 'sentences'. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| Full Idea: The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], i) | |
| A reaction: It is significant that literature belongs more clearly to a nation or community than does most music or painting. You learn about Russians from their literature, but not much from their music. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| Full Idea: The appreciation of beauty in art or nature is not only the easiest available spiritual exercise; it is also a completely adequate entry into (and not just analogy of) the good life, since it checks selfishness in the interest of seeing the real. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Not keen on 'spiritual' exercises, but I very much like 'seeing the real' as a promotion of the good life. The hard bit is to know what reality you are seeing in a work of art. [p.84] Her example is the sudden sight of a hovering kestrel. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 22339 | Love is a central concept in morals [Murdoch] |
| Full Idea: Love is a central concept in morals. ....[p.30] The central concept of morality is 'the individual' thought of as knowable by love, thought of in the light of the command 'Be ye therefore perfect'. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: This seems to be a critique of the chillier aspects of utilitarianism and Kantian duty. Love doesn't seem essential to Aristotle's concept of virtue either, and Murdoch's tradition seems to be Christian. I'm undecided about this idea. |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| Full Idea: Is not ordinary human love ...striking evidence of a transcendental principle of good? | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Sorry to be mean, but I would say not. Love is tied up with sexual desire, and with family and tribal loyalty, and can be observed in quite humble animals. (Love, I should quickly add, is a very good thing indeed. Really). |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| Full Idea: If I attend properly I will have no choices, and this is the ultimate condition to be aimed at. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: I take it this is an expression of what we now call Particularism. It is not just that every moral situation is subtly morally different, but that the particulars of the situation will lead directly to moral choices (in a 'healthy' agent). |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| Full Idea: The enjoyment of art is a training in the love of virtue. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: Very Aristotelian to talk of 'training'. Unfortunately it is children who have the greatest need for training, but most art is aimed at mature adults. Can you be too old to be trained by art, even if you enjoy it? |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| Full Idea: It is the historical, individual, nature of the virtues as actually exemplified which makes it difficult to learn goodness from another person. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: A penetrating remark, which strikes me as true. When confronted with a virtuous person you might want to acquire their virtue, just as you might want them to teach you algebra, but their virtues are too bound up with their individuality. |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| Full Idea: It would be impossible to have only one virtue, unless it were a very trivial one such as thrift. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: A nicely nuanced commitment to the unity of virtue. You might exhibit courage alone in a brute animal way, but the sort of courage we all admire is part of more extended virtues. |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| Full Idea: Reflection rightly tends to unify the moral world, and increasing moral sophistication reveals increasing unity. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: As an example she suggests asking what is the best type of courage. Connections to other virtues will emerge. That is a persuasive example. We all have strong views on what type of courage is the most admirable. |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| Full Idea: Existentialists no longer see man against a background of values, of realities, which transcend him. We picture man as a brave naked will. | |
| From: Iris Murdoch (Against Dryness: a polemical sketch [1983], p.46), quoted by Kevin Aho - Existentialism: an introduction 7 'Subjectivism' | |
| A reaction: It is one thing to deny the values, and another to deny the realities. This piece is a 'polemic', and reads more like an exhortation than a truth. Many of us are, at best, cowardly naked wills. |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| Full Idea: What may be called the Kantian wing and the Surrealist wing of existentialism may be distinguished by the degree of their interest in reasons for action, which diminishes to nothing at the Surrealist end. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], I) | |
| A reaction: Presumably for all existentialists moral decisions are the most important aspect of life, since they define what you are, but the Surrealist wing seem to be nihilists about that, so they barely count as existentialists. For them life is sleepwalking. |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| Full Idea: The ordinary person does not, unless corrupted by philosophy, believe that he creates values by his choices. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], III) | |
| A reaction: This looks like a swipe at Nietzsche, more than anyone. Sartre and co talk less about values, other than authenticity. Philosophy can definitely be corrupting. |
| 2558 | Since Hegel we have tended to see a human as merely animal if it is outside a society [Rorty] |
| Full Idea: Only since Hegel have philosophers begun toying with the idea that the individual apart from his society is just one more animal. | |
| From: Richard Rorty (Philosophy and the Mirror of Nature [1980], 4.3) |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |
| Full Idea: God was (or is) a single perfect transcendent non-representable and necessarily real object of attention. ....Moral philosophy should attempt to retain a central concept which has all these characteristics. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: This is a combination of middle Platonism (which sees the Form of the Good as the mind of God) and G.E. Moore's indefinable ideal of goodness. Murdoch connects this suggestion with the centrality of love in moral philosophy. I disagree. |